 | Empty Day (Kukyo naru hi) | Yoshida Masaji | 1957 | Color woodblock print; edition 21/50 |
 | Encho Tsuru- Dome Crane | Kimura Yoshiharu | | Woodblock print |
 | Enclosure (3) | Amano Kunihiro | 1965 | Color woodblock print; edition 10/30 |
 | Enclosure 11 | Amano Kunihiro | | Woodblock print |
 | Enclosure 32 | Amano Kunihiro | 1967 | Color woodblock print; edition 7/50 |
 | Enclosure 36 | Amano Kunihiro | | Woodblock print |
 | ENCYU (Hot Afternoon) | Katsuyuki Nishijima | | Woodblock print |
 | End of the Road (69/75) | Joshua Rome | | Woodblock print |
 | Endless Day | Akira Kurosaki | | Woodblock print |
 | Endo Musha Morito | Ogata Gekko | | Woodblock print |
 | Engawa- Veranda | Paul Binnie | | Woodblock print |
 | Engawa- Veranda- 2nd edition | Paul Binnie | | Woodblock print |
 | Engetsu Island, Shirahama (Shirahama Engetsuto) | Kawase Hasui | 1951 | Color woodblock print |
 | Enjoying the Cool in a Garden | Kitagawa Utamaro | c. 1788/90 | Color woodblock print; oban triptych |
 | Enjoying the Cool, from the series New Twelve Images of Modern Beauties | Ito Shinsui | 1917 | Color woodblock print |
 | Enjoying the Evening Cool on the Riverbed at Shijo (Shijogawara yusuzumi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)" | Utagawa Hiroshige | c. 1834 | Color woodblock print; oban |
 | Enjoying the evening cool under a bridge. | Utagawa Kuniyoshi | | Woodblock print |
 | Enoshima | Katsushika Hokusai | Unknown | Color woodblock print |
 | Enoshima Island in Sagami Province (Soshu Enoshima), from the series Thirty-six Views of Mt. Fuji (Fugaku sanjurokkei) | Katsushika Hokusai | | Woodblock print |
 | ENOSHIMA YUKEI (Evening Scene at Enoshima) | Fumio Fujita | | Woodblock print |
| ENOSHIMA YUKEI (Evening Scene at Enoshima) | Fumio Kitaoka | | Woodblock print |
 | Enoshima, from the series Famous Sights of Japan (Nihon meishō zue) | Kobayashi Kiyochika | 1896 (Meiji 29) | Woodblock print (nishiki-e); ink and color on paper |
 | Ensei | Utagawa Kuniyoshi | c. 1828–30 | Woodblock print (surimono), ink and color on paper |
E | Entangled Form搦みあう形 | Onchi Koshiro | 1954 | Color woodblock print |
 | Entrance | Okiie Hashimoto | 1952 | Woodblock print, ink and color on paper |
 | Entrance Gate with Lantern | Kamei Tobei | | Woodblock print |
 | Entrance to Golden Temple, Armistrar | Charles W. Bartlett | Not set | Woodblock print |
 | Entrance to the Harbor of Port Arthur, Picture of the Hard Struggle of the Battleship Hatsuse | Kobayashi Kiyochika | March 1904 | Woodblock print (nishiki-e), ink and color on paper |
 | entrance, path, doorway | Aoyama Masaharu | | Woodblock print |
 | Entry into Jerusalem | Sadao Watanabe | 1962 | Hand-colored stencil print on crumpled paper; edition 15/50 |
 | Environs of the Mitsukoshi Department Store, from the series One Hundred Views of New Tokyo (Shin Tokyo hyakkei), Shôwa period, dated 1931 | Fujimori Shizuo | Shôwa period, 1926-1989 | Woodblock print |
 | Ernst Hacker (d, ?) | Onchi Koshiro | | Woodblock print |
 | Erotic scene of man and woman with food tray | Kitagawa Utamaro | c. 1780-1806 | Print |
 | Escape | Sadao Watanabe | | Woodblock print |
 | Escape of Emperor Godaigo, from the series "The Unofficial History of Japan (Nihon gaishi no uchi)" | Kobayashi Kiyochika | 1885 | Color woodblock print; oban triptych |
 | Escape, Shôwa period, dated 1962 | Sadao Watanabe | | Woodblock print |
 | Espace No 41 | Yoshida Masaji | 1964 | Print |
 | Etchu Tateyama shinkei 越中立山真景 / Shokoku meisho hyakkei 諸国名所百景 | Utagawa Hiroshige | | Woodblock print |
 | Etude | Jun'ichiro Sekino | | Woodblock print |
 | Eucalyptus, Santa Monica, California | Hiratsuka Un'ichi | 1973 | Woodblock print |
 | European Behavior | Sumio Kawakami | 1955 | Woodblock print, ink and color on paper |
 | European Dining | Sumio Kawakami | 1960 | Woodblock print, ink and color on paper |
 | European Ship Entering Port (Group of People) | Sumio Kawakami | 1953 | Woodblock print, ink and color on paper |
 | European Ships Entering Port | Sumio Kawakami | 1966 | Woodblock print, ink and color on paper |
 | Eve | Sadao Watanabe | | Woodblock print |
 | Evening | Bertha Lum | 1907 | Color woodcut |
 | Evening | Walter J. Phillips | 1921 | Print |
 | Evening after Rain | Hiroshi Yoshida | 1926 | Woodblock print, ink and color on paper |
 | Evening After Rain, Taishô period, dated 1926 | Hiroshi Yoshida | Taishô period, 1912-1926 | Woodblock print |
 | Evening after Snowfall (Yukiagari no yori) | Takahashi Shotei | 20th century | Woodblock print; ink and color on paper |
 | Evening at Boshu Futoumi in Awa Province- Boshu Futoumi no Yube | Yamakawa Shuho | | Woodblock print |
E | Evening at Eitaibashi永代橋の夕 | Oda Kazuma | c. 1916 | Lithograph |
 | Evening at Kiyamachi during the Daimonji Festival | Miki Suizan | | Woodblock print |
| Evening at Kiyamachi during the Daimonji Festival | Kanpo Yoshikawa | | Woodblock print |
 | Evening at Mii Temple | Tsuchiya Koitsu | | Woodblock print |
 | Evening at Shiogama | Shiro Kasamatsu | | Woodblock print |
 | Evening at Tago Bay (Tago no ura no yube), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" | Kawase Hasui | 1940 | Color woodblock print; oban |
 | Evening at the Tama River | Ito Shinsui | 1912 | Color woodblock print |
 | Evening at Ueno Park | Tsuchiya Koitsu | | Woodblock print |
 | Evening at Ueno Park上野公園の夕 | Shiro Kasamatsu | 1934 | Woodblock print |
 | Evening at Ushibori牛堀の夕 | Takahashi Shotei | c. 1930 | Color woodblock print |
 | Evening at Ushigome牛込の夕 | Tsuchiya Koitsu | c. 1930s | Woodblock print |
 | Evening Bell at Mii (Mii no bansho), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei) | Katsushika Hokusai | 1804/16 | Color woodblock print; horizontal koban |
 | Evening bell at Mii Temple | Katsushika Hokusai | Unknown | Color woodblock print |
 | Evening Bell at Mii Temple (Mii bansho), from the series "Eight Views of Omi (Omi hakkei no uchi)" | Utagawa Hiroshige | c. 1834 | Color woodblock print; oban |
 | Evening Bell in Amakusa (Amakusa no banshô), from the portfolio Native Customs in Japan (Niho minzoku zufu) | Gen Yamaguchi | | Woodblock print |
 | Evening Calm | Ansei Uchima | 1963 | Color woodblock print |
 | Evening Cool夕涼み | Torii Kotondo | 1930 | Color woodblock print |
 | Evening Cool - 夕涼 | Uemura Shoen | | Woodblock print |
 | Evening Cool — 夕涼み | Miyagawa Shuntei | Not set | Woodblock print |
 | Evening cool 95/150 | Ito Shinsui | | Woodblock print |
 | Evening Cool on the Verandah (Ensaki no yusuzumi): Genre scenes with kyoka poems, in aiban format (Kyoka-iri aiban fuzoku zu) | Kitagawa Utamaro | c. 1788/90 | Color woodblock print; aiban |
 | Evening Crescent Moon at Kōbe (Kōbe no Yoizuki) | Hashiguchi Goyo | 1920 (Taishō 9), 1st month | Modern Japanese woodblock print; ink and color on paper |
 | Evening Gloom of Japan No. 3 | Yoshida Masaji | 1958 | Woodblock print, ink and color on paper |
 | Evening Glow at Ajiro | Ito Shinsui | 1939 | Woodblock print, ink and color on paper |
 | Evening Glow at Lake Sai西湖の夕照 | Tsuchiya Koitsu | c. 1930s | Woodblock print |
 | Evening Glow at Namamugi, Yokohama | Ishiwata Koitsu | | Woodblock print |
 | Evening Glow at Seta (Seta no sekisho), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei) | Katsushika Hokusai | 1804/16 | Color woodblock print; horizontal koban |
 | Evening Glow at Seta Bridge (Seta no sekisho), from the series "Eight Views of Omi (Omi hakkei no uchi)" | Utagawa Hiroshige | c. 1834 | Color woodblock print; oban |
 | Evening Glow at Ukutsu | Ito Shinsui | 1938 | Woodblock print, ink and color on paper |
 | Evening Glow for Date no Yosaku and Seki no Koman (Date no Yosaku Seki no Koman Sekisho), from the series Eight views of Traveling Lovers from Joruri Plays (Michiyuki hakkei) | Katsushika Hokusai | | Woodblock print |
 | Evening Glow over Asakusa Bridge | Inoue Yasuji | | Woodblock print |
 | Evening in a Hot Spring | Hiroshi Yoshida | 1939 | Woodblock print |
 | Evening in Beppu (Beppu no yu), from the series "Souvenirs of Travel, Third Series (Tabi miyage dai sanshu)" | Kawase Hasui | 1929 | Color woodblock print; oban |
 | Evening in East Africa | Toshi Yoshida | | Woodblock print |
 | Evening in London (Yugure no Rondon), Shôwa period, dated 1962 | Tadashige Ono | | Woodblock print |
 | Evening in Nara | Hiroshi Yoshida | 1933 | Woodblock print, ink and color on paper |
 | Evening in Nara (Later printing by Toshi Yoshida) | Hiroshi Yoshida | 1933 | Woodblock print |
 | Evening in Nara (Nara no yube)Nara no yube | Hiroshi Yoshida | 1933 | Color woodblock print; oban |
| Evening in Nara, from the series "Kansai District" | Hiroshi Yoshida | 1933 | Color woodblock print |
 | Evening in Pittsburg | Hiroshi Yoshida | description | Woodblock print |
 | Evening Landscape | Joichi Hoshi | | Woodblock print |
 | Evening Make-Up夕化粧 | Ito Shinsui | 1930 | Color woodblock print |
 | Evening Moon and Foal | Maekawa Senpan | 1955 | Color woodblock print |
 | Evening Moon at Nakanoshima, Sapporo (Sapporo Nakanoshima no yuzuki), from the series "Collection of Views of Japan, Eastern Japan Edition (Nihon fukei shu higashi Nihon hen)" | Kawase Hasui | March 1933 | Color woodblock print; oban |
 | Evening Moon in Kobe | Hashiguchi Goyo | 1/1920 | Woodblock print |
 | Evening Moon Over Dempō-in Seminary of the Asakusa Kannon Temple, Tokyo | Hiratsuka Un'ichi | 1956 | Woodblock print |
 | Evening Moon over Tetsugakudō | Hiratsuka Un'ichi | 1949 | Woodblock print |
 | Evening of Silk — 絹の夜 | Takasawa Keiichi | 1974 | Woodblock print |
 | Evening on the Chikugo River | Hiroshi Yoshida | 1927 | Color woodblock print |