
Snow at the Shin Bridge, Nikko (Nikko Shinkyo no yuki)
Nikko Shinkyo no yuki
by Kawase Hasui
- Date:
- 1930; edition:178/350
- Medium:
- Color woodblock print; Oban
- Format:
- Oban
- Publisher:
- Watanabe Shozaburo
- Source:
- Art Institute of Chicago
Typical Price
Snow at the Sacred Bridge in Nikko is one of Hasui's most beloved and frequently encountered compositions. Lifetime editions sell for $1,000-$4,000, with early pre-war impressions in exceptional condition reaching $6,000. The vivid vermillion of the arched bridge against white snow is technically demanding to print, and examples with strong, unfaded red command the highest prices. Posthumous reprints are available for $400-$900.
Description
Snow at the Shin Bridge, Nikko depicts the sacred Shinkyo Bridge — one of Japan's most revered architectural landmarks — draped in winter snow. Created in 1930 and published by Watanabe Shozaburo, this print captures the graceful vermillion arch of the bridge spanning the Daiya River gorge at the entrance to the Toshogu shrine complex in Nikko. Fresh snow covers the bridge's railing and the surrounding cedar trees, while the rushing water below remains dark and animated against the stillness of the winter landscape.
The Shinkyo Bridge, whose name translates as "Sacred Bridge," has stood at the entrance to Nikko's shrine and temple complex since the seventeenth century. According to legend, the bridge marks the spot where the Buddhist monk Shodo Shonin crossed the river on the backs of two serpents in the eighth century. Hasui's choice to depict this culturally resonant site in snow underscores his consistent interest in capturing Japan's most celebrated places under conditions that reveal their deepest beauty. The contrast between the bridge's warm red lacquer and the cool whites of snow creates a visual tension that draws the eye along the graceful curve of the arch.
Nikko was a subject Hasui returned to frequently, producing prints of various locations within the shrine complex and the surrounding natural landscape, including nearby Lake Chuzenji. This particular composition demonstrates his skill at integrating architecture and nature into a unified atmospheric vision. The falling snow is rendered with characteristic precision, each flake contributing to the overall sense of hushed tranquility. The gorge setting adds dramatic depth to the composition, with the steep rocky banks and dark water creating a strong vertical counterpoint to the horizontal sweep of the bridge. This print stands as one of Hasui's finest architectural studies, combining topographic accuracy with the poetic sensibility that distinguishes his greatest work.
More Prints by Kawase Hasui

Appoaching Dusk on Furukawa Embankment (Kure iku Furukawazutsumi)
Kure iku Furukawazutsumi
1919
Color woodblock print; nagaban

Chion Temple, Kyoto, from the series "Collection of Scenic Views of Japan II, Kansai Edition" (Nihon fukei shu II Kansai hen, Kyoto Chionin)
August 1933
Color woodblock print

Chongseokjeong, from the series "Eight Views of Korea" (Chosen hakkei, Sosekitei)
October 1939
Color woodblock print

Chuzenji, Utagahama (Chuzenji Utagahama)
Chuzenji Utagahama
1931
Color woodblock print; oban

