Gomazuri
Technique胡麻摺
Definition
A printing technique that creates a speckled, granular texture resembling scattered sesame seeds, used for depicting rough surfaces like stone or earth.

Takamatsu Castle in Sanuki (Sanuki no Takamatsujo), from the series "Souvenirs of Travel, Second Series (Tabi miyage dai nishu)"

The Inokashira Benten Shrine in Snow (Shato no yuki)

The Pond at Benten Shrine in Shiba (Shiba Benten ike)
Gomazuri in Detail
Gomazuri, literally "sesame-seed printing," produces a distinctive speckled texture by applying pigment unevenly to a block, often using a stiff brush or cloth pad rather than the standard flat application. The result is a pattern of tiny dots and gaps that suggests rough, granular surfaces such as stone walls, earthen paths, sand, or weathered wood.
The technique is particularly effective for depicting natural textures in landscape prints. Kawase Hasui used gomazuri effects for stone lanterns, temple walls, and rocky shorelines. The speckled surface catches light differently from flat-printed areas, adding visual depth and material variety to the composition.
Creating consistent gomazuri effects requires practiced control of pigment concentration and application pressure. The printer must achieve a random-looking but evenly distributed speckle — too much pigment fills in the gaps, while too little produces an unconvincing sparse scatter. Like many specialized printing techniques, gomazuri demonstrates how the skilled printer contributes artistic effects beyond simply transferring the designer's lines.
Example Artworks (8)

Takamatsu Castle in Sanuki (Sanuki no Takamatsujo), from the series "Souvenirs of Travel, Second Series (Tabi miyage dai nishu)"
Sanuki no Takamatsujo
1921
Color woodblock print; oban

The Inokashira Benten Shrine in Snow (Shato no yuki)
Shato no yuki
1929
Color woodblock print; oban

The Pond at Benten Shrine in Shiba (Shiba Benten ike)
Shiba Benten ike
1929
Color woodblock print; oban

Snow at Hie Shrine (Shato no yuki (Hie jinja))
Shato no yuki (Hie jinja
1931
Color woodblock print; oban

Spring Rain at the Gokoku Temple (Harusame (Gokokuji))
Harusame (Gokokuji
April 1932
Color woodblock print

Cherry Blossoms at the Shirakawa Castle Ruins (Shirakawajoshi no sakura)
Shirakawajoshi no sakura
1946
Color woodblock print

Daigo Denpo Temple, Kyoto (Daigo Denpoin Kyoto)
Daigo Denpoin Kyoto
1950
Color woodblock print

Hakuho Castle, Ueno, Iga (Iga Ueno Hakuhojo)
Iga Ueno Hakuhojo
1951
Color woodblock print
Frequently Asked Questions
What is Gomazuri?
A printing technique that creates a speckled, granular texture resembling scattered sesame seeds, used for depicting rough surfaces like stone or earth.
What does 胡麻摺 mean?
胡麻摺 (Gomazuri) is a term used in Japanese woodblock printmaking. A printing technique that creates a speckled, granular texture resembling scattered sesame seeds, used for depicting rough surfaces like stone or earth.
How is Gomazuri used in Japanese woodblock prints?
Gomazuri, literally "sesame-seed printing," produces a distinctive speckled texture by applying pigment unevenly to a block, often using a stiff brush or cloth pad rather than the standard flat application. The result is a pattern of tiny dots and gaps that suggests rough, granular surfaces such as stone walls, earthen paths, sand, or weathered wood. The technique is particularly effective for depicting natural textures in landscape prints. Kawase Hasui used gomazuri effects for stone lanterns, temple walls, and rocky shorelines. The speckled surface catches light differently from flat-printed areas, adding visual depth and material variety to the composition.
What are examples of Gomazuri in Japanese prints?
Notable examples of Gomazuri can be seen in works such as "Takamatsu Castle in Sanuki (Sanuki no Takamatsujo), from the series "Souvenirs of Travel, Second Series (Tabi miyage dai nishu)"", "The Inokashira Benten Shrine in Snow (Shato no yuki)", "The Pond at Benten Shrine in Shiba (Shiba Benten ike)", and 5 more in our collection.
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