Atozuri

Technique

後摺

Definition

A later impression printed from the original blocks after the initial edition, often with changes to colors or simplified printing.

Atozuri in Detail

Atozuri refers to impressions printed after the initial run (shozuri or first edition) of a woodblock print. Because woodblocks can survive for decades if properly stored, publishers could print additional editions long after the first run sold out. However, later impressions typically differ from first editions in several ways.

As blocks wear from repeated use, fine lines become thicker and details less crisp. Later editions may also use different pigments — either because the original colors were unavailable or to reduce costs. Some publishers simplified the printing process for later runs, using fewer color blocks or omitting labor-intensive techniques like bokashi gradation. The most commercially successful designs by artists like Kawase Hasui were reprinted many times over several decades.

For collectors, distinguishing atozuri from first editions (shozuri) is an important skill that affects a print's value. Indicators include block wear visible as line thickening, color palette changes, presence or absence of publisher and date seals, and paper quality differences. A first edition of a popular Hasui print may be worth several times more than a later impression, even though both were printed from the same blocks. Watanabe Shozaburo's publishing house reprinted many shin-hanga designs well into the postwar period.

Frequently Asked Questions

What is Atozuri?

A later impression printed from the original blocks after the initial edition, often with changes to colors or simplified printing.

What does 後摺 mean?

後摺 (Atozuri) is a term used in Japanese woodblock printmaking. A later impression printed from the original blocks after the initial edition, often with changes to colors or simplified printing.

How is Atozuri used in Japanese woodblock prints?

Atozuri refers to impressions printed after the initial run (shozuri or first edition) of a woodblock print. Because woodblocks can survive for decades if properly stored, publishers could print additional editions long after the first run sold out. However, later impressions typically differ from first editions in several ways. As blocks wear from repeated use, fine lines become thicker and details less crisp. Later editions may also use different pigments — either because the original colors were unavailable or to reduce costs. Some publishers simplified the printing process for later runs, using fewer color blocks or omitting labor-intensive techniques like bokashi gradation. The most commercially successful designs by artists like Kawase Hasui were reprinted many times over several decades.

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