 | The Conservatory IV | Naoko Matsubara | 1962 | Woodblock print, ink on paper |
 | The Dancer | Kobayakawa Kiyoshi | Not set | Woodblock print |
 | The Dark Cloud | Cyrus Baldridge | | Wash painting on paper |
 | The Day Before the Beginning of Spring | Katsushika Hokusai | c. 1790 | Woodblock print (nishiki-e), ink and color on paper |
 | The disciple Subodai / Shaka ju dai deshi (Ten Great Followers of Shaka) | Shiko Munakata | 1939 (designed) | Woodblock print |
 | The Diving Woman of Shido Bay | Tsukioka Yoshitoshi | c. 1882 | Preparatory drawing for a print, ink on paper |
 | The Dock | Walter J. Phillips | 1922 | Print |
 | The Doll-maker | Jun'ichiro Sekino | | Woodblock print |
 | The Earth - 4 | Hajime Namiki | 1998 | Woodblock print |
 | The Embrace | Kobayakawa Kiyoshi | Not set | Woodblock print |
 | The emperor observing students' gymnastics, triptych, 1886 | Toyohara Chikanobu | | Woodblock print |
 | The Evening in Venice | Hiroshi Yoshida | | Woodblock print |
 | The Ex-Emperor Fleeing in Defeat, from the series Tale of Heike | Yoshitoshi Mori | 1972 | Stencil on paper; edition 43/50 |
 | The Eyebrow Pencil | Ito Shinsui | 1923 | Color Woodblock print |
 | The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan | Kobayashi Kiyochika | 1894 (Meiji 27) | Woodblock print (nishiki-e) triptych; ink and color on paper |
 | The First Division Advancing on Fengtienfu (Daiichigun Hotenfu shingeki no zu) | Ogata Gekko | 1894 | Color woodblock print; oban triptych |
 | The Flight into Egypt | Sadao Watanabe | 1967 | Stencil print, ink and color on paper |
 | The Flirtatious Type, from Ten Types in the Physiognomy of Women | Kitagawa Utamaro | c. 1793 | color woodblock print |
 | The Floating Pavilion at Katada (Katada Ukimido), from the series "Eight Views of Omi (Omi hakkei)" | Ito Shinsui | 1918 | Color woodblock print |
 | The Flying (Metropolitan Goverment-I) (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ) | Kawachi Seiko | 1989-99 | Color woodblock print |
 | The Fourth Month (Shigatsu), from an untitled series of genre scenes in the twelve months, with kyoka poems | Kitagawa Utamaro | c. 1792/93 | Color woodblock print; chuban |
 | The Garden Viewed from a Western-Style Building (Yokan yori teien o nozomu) | Kawase Hasui | 1920 | Color woodblock print |
 | The Gate to Bunnosuke Teahouse | Hiroshi Yoshida | 1933 | Woodblock print, ink and color on paper |
 | The Geisha Ichimaru | Kobayakawa Kiyoshi | c. 1933 | Woodblock print |
 | The Geisha Ichimaru (Geisha Ichimaru) | Kobayakawa Kiyoshi | 1933 | Woodblock print |
 | The Geisha Kayo of Kyoto, Ikkaku of Osaka, and Kokichi of Tokyo | Kobayashi Kiyochika | February 1877 | Woodblock print (nishiki-e), ink and color on paper |
 | The Geisha, Ichimaru | Kobayakawa Kiyoshi | 1933 | Woodblock print |
 | The Ghost of Genji's lover | Tsukioka Yoshitoshi | 19th century | Print |
 | The Gion Temple in Snow (Gionsha setchu), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)" | Utagawa Hiroshige | c. 1834 | Color woodblock print; oban |
 | The gods of fortune Ebisu and Daikoku | Katsushika Hokusai | 1797 | Color woodblock print; surimono, egoyomi |
 | The Golden Pavilion (Kinkaku)Kinkaku | Hiroshi Yoshida | 1933 | Color woodblock print |
 | The Good News to the Shepherds | Sadao Watanabe | 1966 | Stencil print, ink and color on paper |
 | The Grace of the Mountain | Shiko Munakata | 1949 (printed 1952) | Woodblock print |
 | The Grand Shrine of Izumo, Shimane Prefecture | Hiratsuka Un'ichi | 1953 | Color woodblock print |
 | The Great Bridge at Senju (Senju Ôhashi) | Kogan Tobari | Japanese, Taishô era, 20th century | Woodblock print |
 | The Great Bridge of Sanjō in Kyoto | Hiroshi Yoshida | 1927 | Woodblock print, ink and color on paper |
 | The Great Buddha, Kamakura (Kamakura Daibutsu)Kamakura Daibutsu | Kawase Hasui | 1930 | Color woodblock print |
 | The Great Dipper (B) | Joichi Hoshi | 1969 | Woodblock print, ink and color on paper |
 | The Great Fire at Ryōgoku Drawn from Hamachō | Kobayashi Kiyochika | 1881 | Woodblock print (nishiki-e), ink and color on paper |
 | The Great Gate at Shiba (Shiba Daimon) | Kawase Hasui | 1926 | Color woodblock print; oban |
 | The Grounds of a Shrine in Snow | Ito Shinsui | Winter 1930 | Woodblock print, ink and color on paper |
 | The Hawk Princess | Shiko Munakata | 1955 | Woodblock print |
 | The Heroic Fight of Cavalry Scout Captain Asakawa | Kobayashi Kiyochika | 1895 (Meiji 28) | Woodblock print (nishiki-e) triptych; ink and color on paper |
 | The Heroine Osen after a Bath 40/200 | Komura Settai | c. 1938 | Woodblock print |
 | The Hidden Moon (Kakureta tsuki) | Ansei Uchima | 1959 | Color woodblock print; edition 19/50 |
 | The Holy Family | Sadao Watanabe | 1970 | Hand-colored stencil print on crumpled paper; edition 18/50 |
 | The Home Coming | Bertha Lum | 1905 | Color woodcut on Japan paper, impression from yellow block |
 | The Homecoming | Bertha Lum | 1905 | Color woodcut on Japan paper, impression from key block |
 | The Hori River at Obama (Obama Horikawa), from the series "Souvenirs of Travel, First Series (Tabi miyage dai isshu)"Obama Horikawa | Kawase Hasui | 1920 | Color woodblock print; oban |
 | The house at down town | Hiroyuki Tajima | 1974 | Woodblock print, ink and color on paper |
 | The Inland Sea from Shimonoseki下関から見た瀬戸内海 | Oda Kazuma | c. 1924 | Lithograph |
 | The Inokashira Benten Shrine in Snow (Shato no yuki)Shato no yuki | Kawase Hasui | 1929 | Color woodblock print; oban |
 | The Interesting Type (Omoshiroki so), from the series “Ten Types in the Physiognomic Study of Women" ("Fujin sogaku juttai") | Kitagawa Utamaro | c. 1792/93 | Color woodblock print; oban |
 | The Jades, China (Les Jades, Chine) | Paul Jacoulet | 1940 | Color woodblock print |
 | The Journey North (Hokuge no saku), from the series "The Tale of the Auklet (Uto Hanga-kan)" | Shiko Munakata | 1938 | Woodblock print |
 | The Kabuki Actor Nakamura Utaemon as Yukihime (Nakamura Utaemon Yukihime) | Kawase Hasui | 1951 | Color woodblock print |
 | The Kabuki Theater (Kabukiza)Kabukiza | Kawase Hasui | May 1926 | Color woodblock print |
 | The Kaminari Gate, Asakusa, from the series Scenes After the Tokyo Earthquake | Hiratsuka Un'ichi | 1925 | Color woodblock print |
 | The Kamo River | Hiroshi Yoshida | 1933 | Woodblock print, ink and color on paper |
 | The Kanda Myojin Shrine | Katsushika Hokusai | 1785-1787 | Print |
 | The Kengamine Summit | Hiroshi Yoshida | 1928 | Woodblock print, ink and color on paper |
 | The Kibune Shrine | Katsushika Hokusai | 1785-1787 | Print |
 | The Kiso River, from the series "Hotei #85" | Hiroshi Yoshida | 1927 | Color woodblock print |
 | The Kiss | Kobayakawa Kiyoshi | Not set | Woodblock print |
 | The Kokeshi Dolls: Kami no yama, Kamasaki, Hanamaki, and Kijiyama | Jun'ichiro Sekino | | Woodblock print |
 | The Last of Kagoshima Rebellion | Tsukioka Yoshitoshi | 1877 | Woodblock print |
 | The Last Supper | Sadao Watanabe | 1977 | Hand-colored stencil print on crumpled paper; edition 6/80 |
 | The Lesson — レッスン | Takasawa Keiichi | 1974 | Woodblock print |
 | The Long Undergarment | Ito Shinsui | 1922 | Color woodblock print |
 | The Man Who Climbs Mountains | Umetaro Azechi | 1957 | Color woodblock print; edition 20/50 |
T | The Mandarin with Spectacles, Peking (Le Mandarin aux Lunettes, Pékin) | Paul Jacoulet | 1936 | Color woodblock print |
 | The Marsh Where the Snipe Takes Flight (Shigi tatsu sawa), from the series "Three Evening Poems (Sanseki no uchi)" | Katsushika Hokusai | n.d. | Color woodblock print; kokonotsugiri-ban, surimono |
 | The Meguro Fudo Temple | Katsushika Hokusai | 1785-1787 | Print |
 | The Memorial Hall of the Earthquake in Honjo, from the series One Hundred Views of Great Tokyo in the Showa Era | Kishio Koizumi | 1932 | Color woodblock print; oban |
T | The Miracle of the Buddha (Le Miracle du Bouddha) | Paul Jacoulet | 1951 | Color woodblock print |
 | The Mistress Okichi (of Townsend Harris) (Tojin Okichi) | Kobayakawa Kiyoshi | 1932 | Woodblock print |
 | The Mokuboji Temple by the Sumida River | Katsushika Hokusai | 1785-1787 | Print |
 | The Monkey Bridge in Winter | Utagawa Hiroshige | Mid-19th century | Woodblock print; hashira-e |
 | The Moon at Takakura | Tsukioka Yoshitoshi | description | Woodblock print |
 | The Moon over Gojo Bridge (Gojo no tsuki), from the series "Heroes for the Snow, Moon, and Flowers (Buyu setsugekka)" | Tsukioka Yoshitoshi | 1867 | Color woodblock print; oban diptych |
 | The Moon Seen Through Leaves (Hagoshi no Tsuki), from the series "Twenty-eight Views of the Moon (Tsuki nijuhakkei no uchi)" | Utagawa Hiroshige | c. 1832 | Color woodblock print; otanzaku |
 | The Moonlight at Byodo-in平等院月光 | Takeji Asano | | Woodblock print |
 | The Myoken Hall of the Hosshoji Temple at Yanagishima | Katsushika Hokusai | 1785-1787 | Print |
 | The National Diet from the Imperial Moat | Fujimori Shizuo | 19th–20th century | Woodblock print |
 | The Naval Battle and Capture of Haiyang Island (Kaiyoto senryo kaisen no zu) | Ogata Gekko | 1894 | Color woodblock print; three sheets of oban tetraptych |
 | The Nezu Gongen Shrine | Katsushika Hokusai | 1785-1787 | Print |
 | The Night Attack, Act XI | Utagawa Kuniyoshi | ca. 1830 | Print |
 | The Night Attack, Part 3: Mission Accomplished (Youchi san, honmo), from the series "The Revenge of the Loyal Retainers (Chushingura)" | Utagawa Hiroshige | c. 1834/39 | Color woodblock print; oban |
 | The night sky of lozenge | Joichi Hoshi | 1967 | Woodblock print, ink and color on paper |
 | The Night Visit | Shiko Munakata | 1959 | Woodblock print |
 | The Night Visit, from the series "Story of the Cormorant" | Shiko Munakata | About 1938 | Woodblock print |
 | The Nikkō Road | Kawase Hasui | 1930 | Woodblock print, ink and color on paper |
 | The Observing Eye | Umetaro Azechi | 1959 | Color woodblock print; edition 4/20 |
 | The Occupation of the Battery at Port Arthur (Ryojunko hodai nottori no zu) | Ogata Gekko | 1895 | Color woodblock print; oban triptych |
 | The Old Badger from the series "New Forms of Thirty-Six Ghosts" | Tsukioka Yoshitoshi | 1889 | Color woodblock print |
 | The old fish market | Yoshijiro Urushibara | 1919 | Print |
T | The Old Fisherman, Japan (Le Vieux Pêcheur, Japon) | Paul Jacoulet | 1936 | Color woodblock print |
 | The Old Hag of the Lonely House | Tsukioka Yoshitoshi | 1872, 11th lunar month | Woodblock print (nishiki-e), ink and color on paper |
 | THE OLD MAN WHO MADE DEAD TREES BLOOM | Tsuchiya Koitsu | | Woodblock print |
 | The Old Pagoda (Koto) E | Kihei Sasajima | 1966 | Woodblock print; edition 13/50 |