
Biography
Hiratsuka Un'ichi (1895-1997) was one of the founding figures of the sosaku-hanga (creative print) movement in Japan. Born in Matsue, Shimane Prefecture, he studied Western-style painting before turning to printmaking under the influence of Yamamoto Kanae, whose 1904 print "Fisherman" is considered the birth of sosaku-hanga. Hiratsuka became a tireless advocate for the principle that artists should design, carve, and print their own works, in contrast to the collaborative ukiyo-e and shin-hanga traditions.
Throughout his extraordinarily long career spanning over eight decades, Hiratsuka created more than 3,000 prints, predominantly bold black-and-white woodcuts characterized by strong contrasts and dynamic compositions. His subjects ranged from Buddhist temples and Shinto shrines to modern cityscapes, rendered with a distinctively powerful cutting technique. He was instrumental in organizing the Nihon Sosaku-Hanga Kyokai (Japan Creative Print Association) in 1918 and mentored generations of younger printmakers including Takeji Asano and Tomikichiro Tokuriki.
In 1962, Hiratsuka moved to Washington, D.C., where he continued to create prints and teach at several American universities until his return to Japan. He received numerous honors including the Order of the Sacred Treasure and was designated a Living National Treasure candidate. His longevity — he lived to 102 — made him a living link between the pre-war origins of sosaku-hanga and its postwar international recognition.
Key Facts
- Active Period
- 1895–1997
- Nationality
- 🇯🇵Japan
- Movement
- Sōsaku-hanga
- Works Indexed
- 239
Frequently Asked Questions
What is Hiratsuka Un'ichi known for?
Hiratsuka Un'ichi (1895-1997) was one of the founding figures of the sosaku-hanga (creative print) movement in Japan. Born in Matsue, Shimane Prefecture, he studied Western-style painting before turning to printmaking under the influence of Yamamoto Kanae, whose 1904 print "Fisherman" is considered the birth of sosaku-hanga. Hiratsuka became a tireless advocate for the principle that artists should design, carve, and print their own works, in contrast to the collaborative ukiyo-e and shin-hanga traditions.
When was Hiratsuka Un'ichi active?
Hiratsuka Un'ichi was active from 1895 to 1997. They were associated with the Sōsaku-hanga movement.
What artistic movements influenced Hiratsuka Un'ichi?
Hiratsuka Un'ichi's work was shaped by the Sōsaku-hanga tradition in Japanese woodblock printmaking. Sōsaku-hanga: The "creative prints" movement (c.
Where can I see Hiratsuka Un'ichi's original prints?
Original prints by Hiratsuka Un'ichi can be found in collections including Art Institute of Chicago.
Woodblock Prints by Hiratsuka Un'ichi (239)

Image with Poem from Recollection of Travel
1950
Woodblock print

Camellia
1950
Color woodblock print

Stone Buddha "Siva" Yungkang Temple, Mongolia
1950
Woodblock print

Akasaka Palace, from the series Recollections of Tokyo
1945
Color woodblock print

Hōrinji in Yamato
1946
Woodblock print, ink on paper

Carp
1952
Woodcut print

Hexagonal Hall for Buddhist Scriptures at Kokei-zan Temple, Gifu
1952
Woodblock print

The Shoso-in Repository at Todai-ji
1953
Woodblock print

The Grand Shrine of Izumo, Shimane Prefecture
1953
Color woodblock print

Former Residence of Koizumi Yakumi (Lafcadio Hearn), Matsue
1948
Woodblock print, ink on paper

Brocade Sash Bridge against the Sun, Iwakuni, Yamaguchi
1953
Color woodblock print

Girl with Crane (Tsuru no shojo)
1953
Woodblock print

View of the Japanese Garden, from the series "Prints of the Shinjuku Imperial Garden (Shinjuku Gyoen hanga)"
1949
Color woodblock print

Evening Moon over Tetsugakudō
1949
Woodblock print

Mihonoseki, Izumo
1955
Woodblock print

Rooftop of the Yumedono, Horyuji Temple, Nara
1950
Woodblock print

Qufu Village, Shandong Province, China
1955
Woodblock print

Mount Myogi at Sunset, Gunma Prefecture (Kareyuku Myogi)
1958
Woodblock print

Buddha Images in the Open Air at Asakusa Kannon Temple, Tokyo
1958
Woodblock print

Mountain Stream at Hida, Gifu Prefecture
1958
Woodblock print

Nagasaki Doll (with baby on her back)
1959
Color woodblock print

At the Foot of Mt. Amagi, Izu
1954
Woodblock print, ink on paper

Horiagete
1954
Woodblock print

Portrait of James Michner
1959
Woodcut print; ink on paper

Daytime Moon at the Irozaki Lighthouse in Izu
1960
Woodblock print

Southern Izu
1960
Woodblock print

Observatory Tower of Kyongju in Korea
1960
Woodblock print

Fire Bell Tower of Kora in Izu
1960
Woodblock print

Structural Interior of Tengaimon Gate
1960
Woodblock print

Veranda of the Old House of Lafcadio Hearn in Matsue
1960
Woodblock print

Hot Springs of Mizugami
1960
Woodblock print

Statue of of Jizo at Jurin-in in Takahata, Nara, from the series "Ten Views of Nara"
1960
Woodblock print

Pagoda of Joruriji (Joruriji no to, Yamato)
1960
Woodblock print

Pagoda Reflected in Sarusawa Pond, Nara, from the series "Ten Views of Nara"
1960
Woodblock print

Approach to Jakko-in Temple in Ohara, Kyoto (Jakko-in sando, Yamato)
1960
Woodblock print

Daibutsuden (Asa no Daibutsuden)
1961
Woodblock print

Mt. Asama in Spring
1956
Woodblock print

Evening Moon Over Dempō-in Seminary of the Asakusa Kannon Temple, Tokyo
1956
Woodblock print

Un’ichi Hiratsuka Papers
1956-2001
Manuscripts, typescript papers, printed papers, woodcut prints on paper, photomechanical prints, postcards, black and white and color photographic prints, black and white and color negatives and a VHS videocassette.

Daibutsuden, Todai-ji, Nara
1961
Woodblock print

Yakushiji Temple Pagoda West of Nara (Nara Nishi-no-kyo, Yakushiji to)
1962
Woodblock print

Old Bookstore in Georgetown, Washington, D.C.
1963
Woodblock print

Clouds Over Washington, D.C.
1963
Woodblock print

Stream in the Morning
1958
Woodblock print, ink on paper

Shosoin, Nara
1958
Woodblock print, ink on paper

Obaiin Garden at Daitokuji Temple, Kyoto
1963
Woodblock print

Lindenberries (Bodaiju no mi)
1963
Woodblock print

Kizaki Lake in the Afternoon (Gogo no Kizakiko)
1959
Woodblock print

Mt Fuji at Dawn
1959
Woodblock print

Early Spring at Yōmeimon
1959
Woodblock print, ink on paper

Rosette-like Segment of Tile, from roof tile
1959
Woodblock print

Pine Tree at Kokubunji
1960
Woodblock print, ink on paper

Ancient Tree in Georgetown, Washington, D.C.
1965
Woodcut print

Three-Color Glazed Vase of Qianlong (1736-96 AD) with Plum Blossoms
1965
Color woodblock print
![Title unknown [Walkway to House] by Hiratsuka Un'ichi](https://1.api.artsmia.org/800/136078.jpg)
Title unknown [Walkway to House]
1960
Woodblock print, ink on paper

Pagoda at Jōruriji, Yamashiro
1960
Woodblock print, ink on paper

Building with Tower, U.S.
1966
Woodblock print

Self-Portrait
1966
Woodcut print; ink on paper

Toy Camel (Gangu no rakuda)
1967
Woodblock print

Nude (Rafu)
1967
Woodblock print